best house albums of all time

99, The Swan Of Tuonela (Lemminkainen Legend, Op. What makes this list different is that it compiles and aggregates data from other best of lists, including both critics lists such as Rolling Stone’s 500 Greatest Albums books and fan polls such as Q magazine’s 100 Greatest Albums Ever poll. Produced by Nigel Godrich in collaboration with the band and recorded inside an English manor house owned by Jane Seymour, OK Computer epitomizes its title.

4), Trio No.

The White Album, ninety-nine percent of it is very good. It's more like somebody else. 6 In B Minor, Op. It was certified gold, and many can recount their first time hearing Alive! 21 (Overture), Overture To Der Freischütz ("The Freeshooter"), Piano Quintet In A Major, Op.

If I had Desert Island Discs, I'd take the White one or Abbey Road, I think.


When a classical recording can compete on the charts with “Heartbreak Hotel”, you know you have something special on your hands.

By the early '90s, massive pop stars like Madonna, Janet Jackson and Kylie Minogue were all incorporating elements of house music into their sound. 8 In E-flat ("Symphony Of A Thousand"), Большой Симфонический Оркестр Всесоюзного Радио, Chorus Of The Royal Opera House, Covent Garden, Nadia Boulanger Vocal And Instrumental Ensemble, Buy Vinyl, Album 1 - Immortal Concert Favorites (Records 1 & 2), Album 2 - Concertos: Serkin/Schnabel/Stern (Records 3 & 4), Album 3 - 20th-Century Masterpiece (Records 5 & 6), Album 4 - Beethoven: Symphonies 2, 3, 8 (Records 7 & 8), Album 5 - Orchestral Showpieces I (Records 9 & 10), Album 6 - Horowitz Plays Piano Milestones (Records 11 & 12), Album 7 - Verdi: Requiem (Records 13 & 14), Album 8 - Richard Strauss: Tone Poems (Records 15 & 16), Album 9 - Masterpieces For Piano And Orchestra (Records 17 & 18), Album 10 - American Orchestral Standards (Records 19 & 20), Album 11 - Legendary Operatic Voices (Records 21 & 22), Album 12 - Orchestral Showpieces II (Records 23 & 24), Album 13 - Great Romantic Concertos (Records 25 & 26), Album 14 - Virtuoso Spectacular (Records 27 & 28), Album 15 - Classic Violin Concerto Performances (Records 29 & 30), Album 16 - French Orchestral Masterpieces (Records 31 & 32), Album 17 - The "Emperor" And The "Great" C Major (Record 33 & 34), Album 18 - Baroque Masterpieces (Record 35 & 36), Album 19 - Viennese Symphonic Tradition (Records 37 & 38), Album 20 - Tchaikovsky: Symphonies 4 & 5 (Records 39 & 40), Album 21 - Historic Concerto Performances (Records 41 & 42), Album 22 - Cornerstones of Symphonic Music (Records 43 & 44), Album 23 - Legendary Virtuoso Performances (Records 45 & 46), Album 24 - Orchestral Showpieces III (Records 47 & 48), Album 25 - Favorite Waltzes & Overtures (Records 49 & 50), Album 26 - Britten: War Requiem (Records 51 & 52), Album 27 - Chamber Music Classics (Records 53 & 54), Album 28 - 20th Century Masterpieces II (Records 55 & 56), Album 29 - Rubinstein's Greatest Performances (Records 57 & 58), Album 30 - Beethoven/Mahler/Walter (Records 59 & 60), Album 31 - Cornerstones Of 20th Century Music (Records 61 & 62), Album 32 - Brahms Concert Program (Records 63 & 64), Album 33 - The Romantic Muse (Records 65 & 66), Album 34 - Legendary Performances: Landoswka/Boulanger (Records 67 & 68), Album 35 - Concerto Favorites (Records 69 & 70), Album 36 - Beethoven: Symphonies 4, 5, 7 (Records 71 & 72), Album 37 - 20th Century Masterpieces III (Records 73 & 74), Album 38 - Berlioz Classics (Records 75 & 76), Album 39 - Great Romantic Symphonies I (Records 77 & 78), Album 40 - Great Piano Concertos: Lipatti / Cliburn (Records 79 & 80), Album 41 - Music Of Faith (Records 81 & 82), Album 42 - Russian Orchestral Masterpieces (Records 83 & 84), Album 43 - Legendary Chamber Music Performances I (Records 85 & 86), Album 44 - Beethoven: Symphonies 1, 9 (Records 87 & 88), Album 45 - Orchestral Showpieces IV (Records 89 & 90), Album 46 - Legendary Chamber Music Performances II (Records 91 & 92), Album 47 - Great Romantic Symphonies II ( Records 93 & 94), Album 48 - Brahms / Walter / Klemperer (Records 95 & 96), Album 49 - Masterpieces For Violin & Orchestra (Records 97 & 98), Album 50 - Mahler: Symphony No. Though certainly not the most accessible of Davis’ albums, it is one of the most innovative and important. Though a point of frustration with many fans due to its often overbearing mix, it still catalogues a moment in time that cannot be recreated. One of Detroit techno don Kevin Saunderson’s housier, poppier moments – under his Inner City project with singer Paris Grey – also became his most well-known.

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